Claire Macauley epitomises all that’s wrong with ethical fashion. She works incredibly hard and has designed an elegant, timeless collection made in the UK in socially responsible factories from organic fabric and wool and yet she’s struggling. “I have to lower prices,” she says. Manufacturing here in the UK is not proving viable for her brand, Anatomy: once Britain specialised in making clothes and weaving cloth yet now skills and machinery have been lost. “It can cost £85 to have a jacket sewn in a traditional British factory,” says Claire, “and when you add on the cost of materials, shipping and marketing, I’m losing money.” Claire is thinking of switching to a Lithuanian factory which does have responsible working practises but could reduce her costs as it operates on a large scale.

 

As for fabrics, she’s currently sourcing organic cotton, hemp and bamboo from America and using end of the line wool from a Scottish mill, but is finding that too few people produce organic fabric and those that do are unwilling to sell in small quantities. She’s considering continuing to use natural fibres but ones that aren’t certified organic as a way to cut costs. Then, of course, there’s the dye process. Claire has been hand dyeing the silk herself. She says, “I do everything, create the patterns, cut them out, make samples, do the ordering, track everything that is sold.” She adds, “Cost is a problem. Ethical clothes are side-lined and we should be part of fashion, we should be the icing on the cake. But the prices put people off.”

 

Claire had a varied career, starting out in a band, knocking around with legends like Joe Strummer. She worked for a costumier, formed her own company and styled for commercials before finding it all too stressful and heading to Devon where she launched her Anatomy label. Anatomy is all about tailoring, from the classic Tuxedo jacket, which looks perfect with skinny jeans or Claire’s signature cigarette pants, to the Edwardian jacket made out of bamboo denim with scarlet buttons, to my favourite, the Victorian-esque fencing jacket, which has been reinvented for spring 2010 in charmeuse (a mix of silk and hemp) with a wild fuschia lining. For next season there are playful striped blazers, pencil skirts and some clean cut tunics made of hemp linen with vintage trim. Her clothes would work both in the office or for going out with friends. “I want to be able to make a living out of this – I’ve got to make it work,” she says.

Pictures courtesy of Anatomy